These sounds demonstrate how Synthesizers.com systems and modules sound, but remember, there's nothing like hearing one in person.
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Abbreviations and Notation Notes
EG = Q109 Envelope Generator Gate = Gate output from Keyboard or Sequencer LFO = Q106 Oscillator in LOW range LN = Low Frequency Noise N = Q110 Noise Generator Pitch = Pitch voltage from Keyboard or Sequencer PN = Pink Noise
Ramp = Ramp output from oscillator RM = Q116 Ring Modulator Sine = Sine output from oscillator SH = Q117 Sample & Hold Tri = Triangle output from oscillator VCA = Q108 Amplifier VCO = Q106 Oscillator WN = White Noise
Cool Sounds
Dave Nicol Rain
Ken Roll Dynamic Pulse Modulation
Dana Countryman Sitar Simulation
Morbius Polywog
Adam Scramstad Pocket Frog (Gaseous Discharge)
Q105 Slew Limiter Demos
The Q105 limits the rate of change of a signal. Useful to create Glissando (Portamento) or as an envelope generator.
The Oscillator generates the basic waveforms needed to create sounds. Oscillators can also be used to generate control signals for amplifiers, filters, pan/fade and more.
4 Oscillators sin,tri,saw,pulse in unison, 4 notes
Sine as LFO to another VCO sweeping pulse width
Ramp as LFO to another Osc saw
Slew to VCO sine to ladder filter w/vibrato & reverb
Slew to VCO sine w/vibrato no filter q106l.mp3
VCO saw to ladder w/vibrato & reverb english trumpet
VCO hard sync with modulation of sync amount & reverb q106t.mp3
VCO hard sync with repeating sequence w/sweeping sync
Dual VCO in feedback loop as arpeggio generator
VCO feedback with psuedo sequences w/reverb
Q107 State Variable Filter (VCF) Demos
Filter used to alter the harmonic content of waveforms.
Ramp to filter lowpass w/wide sweep
Ramp to filter highpass w/wide sweep q107b.mp3
Ramp to filter bandpass w/wide sweep
Ramp to filter notch w/wide sweep
Dual VCO sequence w/ VC resonance and slew
External drum loop w/lowpass manual sweeps
Dual Q107 Korg MS20 Filter Simulation
Vocal sound (yeahyeahyeah)
Q108 Amplifier (VCA) Demos
Used to control the amplitude of a signal.
2 Ramps to VCA(LIN) w/EG(0,10,0,10)
Dual VCA demo - see patch sheet
Dual VCA demo - see patch sheet
Dual VCA demo - see patch sheet
Triple VCA demo - see patch sheet
Dual VCA demo - see patch sheet
Q109 Envelope Generator (EG) Demos
Creates envelopes that are used to control filters, amplifiers, oscillators, etc.
2 EGs control Filter and VCO
4 EGs as source for short sequence
Kraftwerk sequencer riff using EGs w/small delay
Q110 Noise Source Demos
Source of random signals used to create sounds such as thunder, drums, etc. and to create random control signals.
White, Pink, Low individually swept w/Q107 LP VCF
White with multiple LFOs used to create patterns
Wind storm with White noise and Q150 filter and reverb
Short sequence played into Q107 VCF with tuned noise
Q111 Pan/Fade Demos
In Pan mode, a signal is routed to one of the two outputs. In Fade mode, the opposite occurs: one of the two inputs is routed to the output. Routing can be controlled manually or from an oscillator or other source.
Fading 2 patches, keyboard controlled fading rate
Fading where pitch sets pan amount
Dual VCO sequence fade between LP and HP filters
Slow panning from LFO
Q115 Reverb Demos
Reverb effect created by a mechanical 3-spring reverb tank similar to that found on most guitar amplifiers.
Creates unusual sounds by multiplying 2 signals. Used for gong, bell, and many strange sounds.
Dana's Retro-Computer Sound
2 VCO RM to Q150 VCF w/reverb, mod w/Noise/SH
Spaceship sound using Ring Modulation
External voice Ring Modulated with a VCO
Q117 Sample & Hold (SH) Demos
Samples and holds a signal's voltage level constant. Output signals normally used to control other modules. Often used in conjunction with the Noise Source module.
White Noise sampled to control a VCO
Ramp sampled controlling a VCO
White Noise sampled to Q150 VCO & 2 VCOs
Tinkling glass from VCO controlled by sampled noise
Q118 Instrument Interface Demos
Receives inputs from external devices such as guitars, microphones, drum triggers, etc. Amplifies then creates an envelope signal, gate signal, and trigger signal for use in processing by other modules.
Drum loop into Q118 controlling Q150 VCF
Drum loop into Q118 controlling Q109 EG to Q150 VCF
Drum loop into Q118, nothing else
Drum loop into Q118 in overdrive for distortion
Guitar into Q118 then EG and Q107 VCF
Guitar into Q118 then Q130 clip/rectify overdrive
Q119 Sequential Controller Demos
Creates an automated series of signals at a rate determined by an internal oscillator or external source.
Example sequence
CV selected sequencer stage length
Demo sequence 1 by Adam
Demo sequence 2 by Adam
Demo sequence 3 by Adam
Demo sequence 4 by Adam
Demo sequence 5 by Adam
Demo sequence 6 by Adam
Q125 Signal Processor Demo
Multifunction module provides signal inversion, attenuation, amplification, and adjustable voltage source.
2 VCOs controlled by different scales using Q125
Q125 as a wave inverter, moding 2 VCO oppositely
Q125 as multiple voltage source for sequences
Q128 Switch Demos
Voltage controlled switch to select or route signals.
Q128 used to modify an EG waveshape
128 to delay an EG
Vocal-like tones using Q128 at end of notes
Q128 switching pulse and ramp
Q130 Clipper/Rectifier Demos
Voltage controlled clipping of signals and rectification of signals to create new waveforms and modify control signals.
Sine pattern into LFO'd clipper
Simple Harpsicord w/Q130 rectifier to double pitch
Q141 Oscillator Aid Demos
Adds features to the Q106 Oscillator including soft sync control, waveform selector, and waveform inversion.
Manual switching between waveforms
Q143 Presets Demos
Q143 Preset Demo 1
Q150 Transistor Ladder Filter (VCF) Demos
2/4 Pole lowpass filter based on Bob Moog's famous patent. Special output leveling circuitry, dual mixing inputs, and reversable attenuation of frequency control inputs.
Ramp to Q150, Res=5, 24db, EG(5,5,0,5)
Sequence to Q150 24db, Res=10
Ramp into Q150 w/slow resonant cutoff sweep
Dual VCO into Q150
Drum loop into Q150 VCF w/manual sweeps
Notes into Q150 VCF self-oscillating w/fast attack